Season’s Greetings! A New Take on “‘Twas the Night Before Christmas”…

Clement Clarke Moore’s seminal 1823 Christmas poem “A Visit from Saint Nick”—which became “The Night Before Christmas” and a world-wide favorite—is as emblematic of the holiday season  as candy canes, snowmen, and loop-tracked rock’n’roll holiday tunes in retail stores.

However, new research suggests that Moore, a biblical scholar, might have plagiarized the poem.

It’s true: The poem that gave us the roly-poly, white-beard-donning, red-suit-wearing Santa, along with his reindeer, from Dasher to Blitzen (sorry Rudolph!) in fact might have been written by Henry Livingston Jr., “a gentleman-poet of Dutch descent,” says Don Foster, English professor at Vassar College.

The poem was first published anonymously in a Troy, New York, newspaper. Only after Livingston had died did Moore claim to be its author. It was a time when gentlemen often published anonymously, considering newspaper publications beneath them.

Foster’s literary analysis as well as the sleuthing of Livingston’s heirs suggests that Moore could not have penned the often imitated and parodied poem (“A Florida Night Before Christmas”? “A Laboratory Night Before Christmas”?). For one thing, Moore, who owned much of what is now the Chelsea neighborhood of Manhattan, was too much of a grouch. As the New York Times writes, “He took a stern approach to being a parent, and his poems and writings often focused on the annoying noise of ‘clamorish girls’ and ‘boisterous boys.'”

Authorship might be a moot point now, anyway: This poem has almost become a part of the fabric of Christmas itself.

As well as the classic 1950s scene rendered in the YouTube video above, you can also hear Bob Dylan recite the poem on his XM radio show, or build your own made-to-order “‘Twas the Night Before Christmas” using “crazy libs” to sub in certain words for others.

Whatever you decide, enjoy these poetic tidbits—and enjoy your well-deserved holidays.

Teaching Poetry will be on a two week hiatus now until January. We’ll see you in the New Year.

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Joelle Hann is a senior editor at Bedford/St.Martin’s who worked on the third edition of Helen Vendler’s Poems, Poets, Poetry, and originally created the Teaching Poetry blog in 2009.

Poetry Speaks! Now Online

Reading poetry aloud in the classroom is a great idea. Sometimes, however, you ask for volunteers to read and get…total silence. Sometimes even students who are willing to read don’t do the poem justice. Sometimes you have bronchitis. Luckily, PoetrySpeaks.com is here to help.

PoetrySpeaks.com, officially launched November 4, 2009, aims to “create a space where poetry can be discovered and rediscovered.” The brains behind it, Dominique Raccah,  is the founder of Sourcebooks, Inc. and the publisher of the New York Times bestseller Poetry Speaks, (the book), which included three audio CDs of poets reading their work. From the success of that book, she knew she had the fan-base to support the Web site. Online, she’s able to provide many more audio and video resources that foster interest in reading, writing, and listening to poetry.

The site, in the works since 2005, is always adding new features and content. It’s also been developing alliances in the poetry and performance work. A few publishers (Naxos AudioBooks, Tupelo Press, Marick Press) have partnered with the site, and its advisory board includes Anne Halsey from the Poetry Foundation, Bruce George, co-founder of Def Poetry Jam (HBO), and Robert Pinsky, former poet laureate of the United States.

The site has three main sections: PS Voices, which has text and audio for poems by well-known poets (some read by the poets themselves); SpokenWord, devoted to slam poetry; and YourMic, which allows user-poets to upload and share audio and video files of themselves reading their own works. Right now, the site features a short poetry film called “The Captain,” which features the poem “Invictus” by William Ernest Henley, read by Allison Janney (one of my favorites!). You can watch the film and read the poem here.

The site also has a PoetryMatters blog and a Poetry Store.

Yes, a poetry store. Of course, there are plenty of places online to post text, audio, and video files of poetry. PoetrySpeaks.com, however, charges for poems: You can buy the text, the audio, the video, or a combination package. And your payment helps to directly support the poet. The set-up is similar to iTunes: a 30-second professional audio recording is free, but the whole poem in MP3 format is 99 cents. (A recording of “The Raven” is nine minutes long; “Ozymandias” is only one minute, forty seconds; both cost 99 cents.) If paying for poetry makes you balk, think of it as breaking the tired-out tradition of the penniless poet.

Do you like to use recordings of poetry in your classes, or do you prefer live readings? Would you consider asking your students to post their own poetry on a site like this?  What other resources could a site like PoetrySpeaks.com provide?

Related Posts on Teaching Poetry

In Defense of Recitation

Who’s Afraid of Teaching Poetry?

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Joelle Hann is a senior editor at Bedford/St.Martin’s who worked on the third edition of Helen Vendler’s Poems, Poets, Poetry, and originally created the Teaching Poetry blog in 2009.

Poets House: New Home, Fresh Start

With no rent to pay until 2069, and 11,000 square feet in a newly-constructed “green” residential building in Battery Park City, Manhattan, Poets House literally has a new lease on life.

Founded by the late poet Stanley Kunitz and arts administrator Elizabeth Kray in 1985, Poets House lived for many years at 72 Spring Street in a Soho loft.  It housed an extensive library of poetry titles, hosted readings, workshops, book launches, and sponsored poetry in the schools. Kunitz established the institution as a public service to stimulate dialogue and education on poetry and to provide a place for poets to gather.

He also established the Fine Arts Work Center in Provincetown, MA, a prestigious  residency where juried artists and writers focus on artistic projects for 9 months in a beautiful, secluded setting.

Poetry lovers at Poets House
Poetry lovers at Poets House, c. 2009 by Mark-Woods.com

Poets House now has a collection of over 50,000 poetry titles, including chapbooks, journals, tapes, and digital media. In its new location, it has more space for workshops and readings, as well as a new Children’s Room to foster a love of poetry in young minds.

Other innovations—spectacular when you consider they are done in the name of poetry—include an outdoor ampitheatre, where readings will be held in fine weather, much the way music is performed in the summer at Tanglewood. In the near future, projections of sonnets on the sidewalk outside Poets House will welcome visitors into the distinctive space.

Poets House, Reading Room, photo by Elizabeth Felicella
Poets House, Reading Room, photo by Elizabeth Felicella

Recent programs include lectures on poetics and poetic movements, workshops with renowned poets such as Naomi Shihab Nye, seminars on poetry from around the world including the recent 500 Years of Latin American Poetry and Polish Poetry Now, and conversations with poets of various sensibilities and aesthetics.

In late September, celebrities—poets and otherwise—gathered for a week of festivities when Poets House re-opened after an almost 2-year transition from Soho to Battery Park. Marie Howe, Kamiko Hahn, Charles Bernstein, Regie Cabico, Quincy Troupe, Galway Kinnell, and Natalie Merchant were among the poets and entertainers. Excellent event planning by PH staff made it quite a media event.

Natalie Merchant at Poets House opening, c. 2009 by Mark-Woods.com
Natalie Merchant at Poets House opening, c. 2009 by Mark-Woods.com

Poets House is a tremendous gift to the public and to American culture. “Poets House is not just about creating an opportunity for people to fall in love with language, but to enter a conversation with all the poets who ever lived—to enter into a conversation between the living and the printed word,” says Executive Director, Lee Briccetti.

Poets House would make a great field trip, or an excellent winter break destination for budding readers and writers.

Stanley Kunitz, twice the US poet laureate, died in 2006 at age 100.

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Joelle Hann is a senior editor at Bedford/St.Martin’s who worked on the third edition of Helen Vendler’s Poems, Poets, Poetry, and originally created the Teaching Poetry blog in 2009.