Form vs Formula

This semester I’m teaching a graduate workshop called Forms of Prose.  If you are a nonfiction writer, this suggests things like the lyric essay, narrative journalism, and the personal essay.  If you’re a fiction writer, it probably suggests only short story vs novel. But I am teaching the class as an examination of any of the implied or stated rules imposed on a work of prose.  Some might be arbitrary rules about rhythm, rhyme and repetition (as in much formal poetry), and others might be the unspoken rules of reader expectations.  For example, we will look at how the workshop story bemoaned by the world at large (or just the anti-MFAers) might actually be a consequence of an abuse of form.  That when form is poorly executed it becomes formula.

By way of example, let’s take the fad of six word stories and essays.  I’m generally not a fan. Especially not of the possibly apocryphal Hemingway version: “For Sale. Baby Shoes. Never Worn.”  Supposedly Hemingway said this is all the story you need to tell.  But I suspect one of my finest teaching moments may have been when I said to a totally-disturbed class: that story is only interesting if that baby has no feet.

Listen, I get it.  It’s heartbreaking; that story can make me cry, because anything suggesting the mortality of babies can make me cry.  But a reliance on abstract emotional manipulation is not the same thing as great storytelling.  Which is not to say a six word story couldn’t be great.  Because herein lies the difference between form and formula.  Form forces a writer to rise above restrictions to reach originality; formula allows a writer to rely on restrictions to be relieved of the burden of originality.  Formula works on some readers, of course (including me: hello, Sophie Kinsella, I love you), but it isn’t what anybody enters an MFA program aspiring to, so my class is going to set all kinds of rules, just to show how well writers can surprise readers when we follow them.

Making Comics

I’m a big fan of multi-modal approaches to reading comprehension — I’ve written before about having students draw a poem, and I’ve adapted Barclay Barrios’s idea about IKEA directions for my freshman orientation group. Most recently, I borrowed an idea from my colleague — a Germanist who teaches a course on fairy tales — for my day on Charles Dickens in my survey course: create a comic highlighting the main points of the story.

On this particular day, my students read “The Story of Little Dombey” and “Sikes and Nancy,” which are Dickens’ own adaptations of his work for his public speaking tour — essentially, they are selections from two novels that he performed for his audience, giving only the central parts of these two particular episodes.

So, to prep my students, I showed them a few examples from Hark, a vagrant. If you’re unfamiliar with it, the artist takes literature and history as a subject matter for 6 or 9 paneled comics.  They’re funny, they’re spot on, and they can show students how it’s important — even in making jokes — that we have something to hang on to from the literature. (My favorite is “Dude Watching With the Brontes”.)  For me it established a tone for the class — we’re serious here in our study of literature, but we don’t take ourselves too seriously. This is supposed to be fun — but reflective of the text in front of us.

From here, I provided groups of three a sheet with six panels on it, and had students select one of the two stories. The directions from this point on were to pick the 6 most important moments, and illustrate them as best as they could. This work got students talking about the plots, and particularly identifying the plots that didn’t quite work out of the context of their respective novels. But they also talked a great deal about the central themes of the stories.

What the students came up with was amazing. In general, students approached the topic differently. We had lol-speak. We had serious attempts at illustrating the important moments. We had references to contemporary pop-culture — and one group even explained that the last moment of “Sikes and Nancy” would be saved for the post-credit sequence.

After students worked on their comics, I had the groups explain their choices, which allowed us to look at what they saw as not only central moments in the stories, but also the themes of the stories. What was remarkable about the effort was that students gravitated towards similar moments in the two stories. For example, the groups that chose “Little Dombey” all focused on the little boy’s complaint that money (his father’s highest concern) could not bring back his dead mother.

Student Cartoon Panel

In all, the students were able to sort out the plot, the characters, the themes without my intervention — and that goal is certainly a huge part of working on their ability to read literature.

Send Us Your Turkey-Day Assignments!

Holidays can be hard to write about. The “what you did on your summer vacation” prompt probably tops the pile, but tired sentiments about gratitude and world peace might not be far behind.

With Thanksgiving coming up, the Teaching Poetry blog wants to know how you approach this holiday with your students. Do you assign elegant odes or SPAMku? Do you avoid the topic altogether?

  • How do you get around clichés and get your students thinking for themselves?
  • What models do you use?
  • If you teach creative writing, what assignments work best for generating original turkey-day themed verse?

Send in your thoughts, your favorite assignments–or stories of classroom disasters. We’ll be collecting your insights over the next couple of weeks and posting your responses on November 16th, just in time for the holiday. Then, we’ll ask you to vote for the coolest activity!

E-mail assignments to: aflynn (at) bedfordstmartins (dot) com

Deadline: anytime before Friday, November 13
Vote on all submissions: November 16
Favorites go live: November 17

Stay tuned!

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Joelle Hann is a senior editor at Bedford/St.Martin’s who worked on the third edition of Helen Vendler’s Poems, Poets, Poetry, and originally created the Teaching Poetry blog in 2009.